Friday, 12 August 2016

PhotoJournalism

What does it take to be a great journalist?

A great journalist cares about people and an ideal world. A great journalist can approach a topic as vast as the universe and make it simple and interesting to both Einstein and the new immigrant, who is trying to learn the language.

The written word has power. With skill, reporters can expose the dark deeds of the world and bring them into the light. However, journalism is limited to non-apathetic, monolinguistic people with some time to kill and a few neurons still firing.

Enter photojournalism. It destroys almost all barriers. Justice can draw its sword in the time it takes an eye to scan an image. An image has no age, language or intelligence limits.


What is a photojournalist?

A journalist tells stories. A photographer takes pictures of nouns (people, places and things). A photojournalist takes the best of both and locks it into the most powerful medium available - frozen images.

Photojournalists capture "verbs." This sounds simple, but a room of professional photographers was dumbfounded by this realization. Even after a full-length lecture with documentation and visual evidence, half of the photographers still had no clue what the difference was.


Although photojournalists can take properly exposed and well composed photographs all day long, they hunt verbs. They hunt them, shoot them and show them to their readers. Then, they hunt more.

A photojournalist has thousands of pairs of eyes looking over his shoulder constantly. The readers are insistent: "What are they doing?" "What did you see?" and "What happened?".

To tell a story, a sentence needs a subject, a verb and a direct object. News photos need the same construction. Photojournalists tell stories with their images. Also, words are always used in conjunction with photojournalist's images. The words below a photo are called a cutline.

As a servant of the citizens, it's the photojournalist's OBLIGATION to capture the entire sentence involved in EVERY event. There are no excuses. It's hit or missed. Some photographers don't care. They have a picture of the bat. "Hey, that's what tried to hit the ball." They just don't get it.

More on the photojournalist

A photojournalist is a visual reporter of facts. The public places trust in its reporters to tell the truth. The same trust is extended to photojournalists as visual reporters.

This responsibility is paramount to a photojournalist. At all times, we have many thousands of people seeing through our eyes and expecting to see the truth. Most people immediately understand an image.

In today's world of grocery store tabloids and digital manipulation of images, the photojournalist must still tell the truth. The photojournalist constantly hunts for the images (or verbs), which tell of the day-to-day struggles and accomplishments of his community. These occurrences happen naturally. There is no need to "set up" reality. There is no need to lie to a community that bestows its trust. In a nutshell:   If a photojournalist isn't going to fake a fire or a street stabbing scene, why would he set up "person A" giving "person B" an object (award, check, trophy etc.)?

The photojournalist simply wants to hang around, be forgotten and wait for the right moment. Then, the hunt begins anew.

Like the police officer or firefighter, the photojournalist's concern is his community even if that means sacrificing comfort or life. Many photojournalists die every year in the process of collecting visual information, which lets the public know of atrocities, dangers and the mundane.


What makes a photojournalist different from a photographer?


Photographers take pictures of nouns (people, places and things). Photojournalists shoot action verbs ("kicks," "explodes," "cries," etc.). Photojournalists do shoot some nouns. These nouns can be standard photos of people (portraits), places (proposed zoning areas or construction sites) and things (name it). However, the nouns we seek still must tell a story.


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